Posts Tagged ‘friends’

Glittery and Grey

Wednesday, July 9th, 2014

Beside Maison Bertaux


Besides my Soho office: Maison Bertaux, Ozgur forced a grin post rendezvous!
Today I am wearing:
Richard Nicholl grey raincoat
Markus Lupfer floral peplum sweatshirt
Vintage Skirt from Camden Market – I had it altered by my tailor: made shorter and taken in, as well as adding side pockets – I do love a pocket!
Boots: Acne
Handbag: Tila March
Socks: Jonathan Aston
This is how I wear vintage – in response to Channel 4′s ‘This Old Thing’ and as someone who has worn vintage since it was secondhand from charity shops: I mix it in with current clothes, sourced from sample sales or lucky styling gifts, generally not the high street (but for high street prices), never vintage shoes and always partial to a spot of day wear glitz and sheen! If you take clothes to a tailor something really average can be lifted into something amazing. I bought a pink dress at Chiswick car boot sale recently, seeing potential, I had it transformed by tailoring costing me £10, into a skirt which nods to Roksanda Ilincic in it’s glamour.

An Interview With For My Friend Kirsteen Martin’s Fantastic Brand: Studio Design.

Friday, February 7th, 2014

What does design mean to you?

Good design is something you don’t have to think about, as it works flawlessly in your life.
I don’t feel design ends with a product, it is how you lead your life, how you interact with people and the choices you make. These design your life; hopefully how you want it be. I enjoy a beautifully made dress, sofa, or cushion: appreciating what I consider to be their great design; but I do see design as more than objects I can buy.

What inspires you?

My family. My son’s laugh and cuddles. I do love when a client is happy with my work.

I bought a Moldovan Kelim rug in Istanbul this weekend. As soon as I researched the style of carpet I wanted: made for a her dowry by a bride, I fell into an imagined thematic of the story of these rugs: how they seem like a meeting point between Balkan and Ottoman designs.
I could see a running storyline of these women and their lives, their expectations and their hopes.

I hope that they were well-paid for their rugs… I shall treasure mine. They are simply magical. That inspired me this week.

I then went to see my client, Zeynep Tosun, on the otherside of Istanbul, to discuss her show this upcoming London Fashion Week. I had an idea for the show, for some pieces to be designed, which I don’t think has been done before by a designer, in that context – often working as a stylist, my work is instinctive, which is really creative – it was such a buzz to discuss this idea, considering the marriage of artisan talent with good design.

I believe in some way, though this idea for my client Zeynep, is nothing to do with a kelim rug, the carpet I bought inspired me.
What would be your ideal collaboration?

I would love to work with brands on their collections. There are so many brands, which I think need refining, or redefining. A wish list client would be Chanel.

How do you think digital technology and social media affect the fashion industry?

Digital technology is such an intrinsic component of fashion: from the prints designers, such as Peter Pilotto, use on their clothes; to the cut and fit, that it really is vital to the business as it is now.

Social media is a part of life. People can be kept up to date on what you are doing: whether it is someone in the industry, or someone who is interested in what we do. It’s a great way to access an audience, discuss a point of view, to show a fashion film – and sometimes to have a rant!

Some blogs are brilliantly written or photographed; some are just heinous. There can be a lack of editorship filter in the blogosphere; which Suzy Menkes debated brilliantly in her column; but fashion is about trends and this is the latest.

What has been your biggest lesson whilst working within the fashion industry?

Good manners, which isn’t something I learnt in the industry, but something I try to apply on a daily basis to my working and non-working day, I would say is a big lesson. Never be rude to anyone. We are all working hard, under deadlines and stress.

In terms of fashion, I tend to know what I like very quickly what and what will work for a shoot.
I now have a system of editing, which I find works well for me, but I think for all stylists, it is trial and error and also being adaptable to a client, or situation, within a framework of discipline, keeps shoots on track.

How do you differentiate yourself from other fashion stylists?

I am quite good at layering?!

http://www.studiodesignuk.com/studio-now/guest-writer-tamara-cinkik-fashion-stylist/

My Interview With Hiphunters Magazine.

Friday, January 10th, 2014

Tamara Cincik, stylist, writer and brand consultant!

Tamara Cincik

Tamara Cincik is someone you need to know! She’s a London based fashion stylist, writer and brand consultant. (She’s certainly an accomplished woman of our era). Her styling has appeared in several international style magazines and furthermore, she holds the position of contributing Fashion Editor for many other high-end publications.

After graduating from UCL with a BA Honours degree in English Literature, Tamara assisted various leading stylists, including Anna Cockburn, for whom she worked, as an assistant, three years. Known for juxtaposing aesthetics and concepts, Tamara mixes the unusual with the everyday to, in what she calls, “mundane magic”, delve into the imagination to create a superlative reality within our own.

What we love the most about this woman is that she transcends through markets, she can work with couture as well as high street labels. She has been consultant and worked catwalk shows from Lacroix to Topshop. She does what she loves and what she believes in, and there’s no stopping her! Most definitely a force of nature, even in her spare time, she can be found gardening and writing about it for the Guardian online!

1. You style many runway shows and act as a consultant to well-known brands, why do you think everyone seeks your collaborations?

I love working on shows for clients, pushing a designer’s potential and making people take notice of their talent. My 2014 New Year’s resolution is to do more consultancy and creative direction. This really excites me and this is where I see my career heading, I hope.


Vogue UK – Styling by Tamara Cincik


Vogue UK – Styling by Tamara Cincik


Commons and Sense – Styling by Tamara Cincik


Eva Herzigová – Styling by Tamara Cincik


Novembre – Styling by Tamara Cincik


Grey – Styling by Tamara Cincik

2. What’s your never-fail, go-to outfit?

I’d say there are three: depending upon what I am doing…

a) If I am staying in working: blue and white denim dungarees from Beyond Retro, with a Sacai blue cardigan and a KTZ T-shirt.

Look 1

b) If I am going out to a meeting, but also need to run about: my old teenage blue denim 501?s, with a Markus Lupfer sweatershirt with a floral design on the front and a peplum, worn with a Jean Paul Gaultier blouse underneath, with a Florian necklace, my friend, Melanie Chan, the Creative Director at Jas M B gave me for my birthday and perhaps a pair of Manolo Blahnik bronze heeled loafers with matching socks – I am very into shiny shoes!

Look 2

c) If I am going out: an amazing trench meets velvet dress by Sacai from the AW 13 collection, which my dear (and very generous!) friend and former editor Ingrid Brochard treated me to this Christmas, or perhaps a vintage dress from Lizzie at Mishka Vintage, who is my go-to expert for vintage. I have a great Biba padded brown floral coat from her, which I wear with culottes, a Bill Gibb sweater also from Lizzie’s shop and Marc Jacobs sheepskin lined boots. I tend to wear vintage with a nice pair of heels and am lucky as I get invited to sample sales, so have a range of gorgeous shoes from Manolos to Louboutins.


Sacai AW13

3. Which piece should every woman invest in?

A hat in the sun!

In Turkish culture (my father is Turkish), traditionally, women are bought gold by their family, so it isn’t their investment; it is their family’s. It once acted as a dowry. I have 22 carat gold jewellery, which I wear every day and which I was given. I would say it is for the individual and their bank balance, whether this is important to them.

Good skin is the sign of good health, so for me it would be a hat to wear in the sun: I love my Lock and Co. panama, or my fedoras from Stephen Jones. I wear sunscreen in sunshine and use moisturizers.

4. And men?

Nice underwear and moisturizer. I’m not saying that they should spend hours in front of the mirror, English men certainly aren’t like Turkish or Italian! But a little sense of cleanliness goes a long way, doesn’t it ladies?!

Over the age of 30, good trousers or jeans and putting an end to wearing trainers, unless they are at the gym.

5. Could you please create your perfect casual, but at the same time chic, look with clothes from Hiphunters Shop?

It would be jacket from Cerruti 1881 Vintage, Erdem silk jumpsuit, Saint Laurent heels, and Garrard earrings.

CERRUTI 1881 VINTAGE – JACKET
Cerruti 1881 Vintage
Jacket
177.02 £

Shop-button

————————————

ERDEM – Vala SS Eames Silk Jumpsuit
Erdem
Vala SS Eames silk jumpsuit
1353 €

Shop-button

————————————

Garrard – Wings earring
Garrard
‘Wings’ earring
7213.57 £

Shop-button

————————————

Saint Laurent – Paris capped-toe leather pumps
Saint Laurent
Paris capped-toe leather pumps
466 €

Shop-button

————————————

6. Which has been your most challenging shoot?

There was a Japanese artist I was sent to work with, for a French magazine in Paris. She had a studio with her husband in the Marais. I would say they were the most challenging; but the results were amazing, so if it turns out great, I don’t mind the challenge. These are part of working with creatives.

7. Whose style do you really like?

You look at a lot of celebrities and might like their style, but usually that is their stylists’… I like the way these people, some of whom are friends, put their clothes together and they come from a varied range of incomes (from billionaires to regular ones). I don’t believe money buys style, I have known some very stylish people living on not very much money and vice versa…

Stylish people I like: Ulyana Sergeenko, Tara Subkoff, Tara St. Hill, Karen Binns, Carine Roitfeld, Sarah Reygate.

Ulyana Sergeenko


Tara Subkoff


Carine Roitfeld


Karen Binns


Tara St Hill


Sarah Reygate

8. If Dior were alive right now, what do you think he would think about the grunge trend?

Christian Dior’s New Look was a shock to post war fashion and mindsets. The skirts used vast reams of fabric, and in a time when these were highly rationed, sent out a direct message to women about what was and wasn’t modern. Grunge in the 1990?s was a reaction to the 1980?s consumerism and therefore again highly politicised. I would therefore imagine Christian Dior would be looking at the longer historical trajectory of any style, just as his was an echo of the 1850?s crinoline, this grunge trend is an echo of the 1990?s and perhaps therefore he might think in our post 9/11 world a cultural critique of what we are reacting to now. Also designers who have worked their way up to the post of chief designer and large houses are now pushing 40, so were 20-something then. They might have been inspired by their youth…

9. What inspires you while working?

When a team comes together to create a shoot which was in my head and makes it even better than I had imagined. It is great when a client, or publication, is happy with my work. I love working on consultancy and creative direction, time flies by when you enjoy what you do!

Chasing Heaven by Claudia Solti.

Sunday, November 24th, 2013

Have just seen this for the first time in a while…
A film about bereavement, clothes and the colour pink, by my dear friend Clauds, for which I worked on the styling.
Memories!
I hope that you enjoy it.

The Missing Month…

Wednesday, July 3rd, 2013

I feel like a lapsed blogger: instead of uploading on a daily/hourly basis, I have been working so much, that between prepping, editing, mood-boarding (let’s make that a verb!), styling and shooting, that other than being mother to a 2 year old and planning our imminent move to Muswell Hill, that I literally haven’t had much time to write.  There hasn’t been much time to tend our allotment either, though I did bake a filo pastry potato and spinach pie this morning – with spinach and red onion from the plot.  When you wake up at 6am, as we now do, thanks to my son’s body clock, by 8am, life feels positively brunch-like…

The past month has taken me from selling a car load of loot at Chiswick car boot sale, to styling a huge campaign for the Dubai market, then Hamburg for the Ligne Roset campaign and now prepping for  an commercial in London.  The Dubai shoot was for Mall of the Emirates, which involved 12 huge boxes of designer clothes as prep, fine jewellery galore, rows of Manolos, Ginas and Charlotte Olympia shoes and masses of time on skype in briefing meetings.  I shot the campaign in Prague, that beautiful mad city, which decided to be 36*c the week I was there, in a studio with no a/c.  Liam my assistant was so fried when the producers closed the windows to keep the cold air in, while he was steaming the clothes, that by mid-day I embarked upon an open window intervention!  The shoot looks amazing, we had such fantastic clothes, that I can’t wait to share it when it is released.

Some Of The Team And I At The End Of The Last Shot On The Last Day For Mall Of The Emirates.

Tiffany Jewellery With A Paul and Joe Blouse - Behind The Scenes For Mall Of The Emirates.

Gorgeous Bellies: Three Of The Team And Their + 1's!

Cavalli and Manolos.

 

Liam, My Assistant and Some Of The Rails With My Mall Of The Emirates Prep!

 

The Shoes!

The Bags And The Mood Boards For Mall Of The Emirates.

Eyes On The Edit; Anna's Fingers Working Another Look!

Missoni and Jewels In Hair And Make Up.

(Photos all courtesy of Jozef Pavleye)

Back to London, for time with my son and husband, we went to Alma Street Festival that Sunday, our local street party, then into prepping for the Ligne Roset campaign, which I styled last week in Hamburg.  Being a huge Ligne Roset fan: our sitting room hosts several pieces, I was delighted to be asked to style for them.  I chose a really vibrant, fresh silhouette which the client loved, good times.  Sunday might have been recovery from The Stones at Glastonbury for some, for my family it was time for a street festival, or two.  First stop: Amwell Street Fete, which was fantastic, exactly what a local street party should be: I bumped into the lovely Sharon Dowsett make up artist supremo and her husband Tony sipping pimms and selling an amazing array of Victoriana from their stall.  The stalls were a ridculous feast of artisan bargains and vintage treasures: Jeremy bought some homemade strawberry jam for £2, while I found a gorgeous blue silk velvet and lace late 1930′s dress (bias cut with a hint of Mildred Pierce around the shoulders) for £10 from Pennies Vintage (http://penniesvintage.com/).  Dukey got his groove on at the bouncy castle and I redecorated rooms in my imagination several times over, as I swooned at a sofa from Timorous Beasties and fabrics at various stalls.  Hampstead Summer Festival, which we went onto, was fun, but Amwell Street Fete was simply heaven: sunshine and sweetness, urban yet urbane, local and lovely.

And now?  Now I am prepping for an advert I am styling at the weekend and waiting for the heads up on shoes and socks!..

My review of LFW AW13 Published Today On The Luxury Channel.

Wednesday, February 27th, 2013

Magazine > London Fashion Week – A Stylist’s PerspectiveBy Tamara Cincik

LONDON FASHION WEEK – A STYLIST’S PERSPECTIVEBy Tamara Cincik

27th February 2013

Before London Fashion Week, there is a tipping point where anticipation meets anxiety: the fear that I will have no tickets to any of the shows, despite working hard all season on some killer shoots for some great magazines; and then the universal fashion editor’s fear that I have nothing to wear, despite having numerous wardrobes at home literally spilling open with clothes and shoes on a daily basis.

To off-set the first, the postman’s daily deliveries of a multitude of colourful envelopes displaced any nervousness I might have had; while two timely phone calls- one to the lovely Sara at RMG And Co, the PR for The House of Worth, the other to Lizzie from Mishka Vintage – meant without even dipping into the nether regions of my wardrobes (yes, wardrobes!) other than for some key accessories, I was able to sport some amazing clothes for the endless list of shows and events. As with every season, the gaggle of bloggers and assault course of photographers which meet you when you try to walk, without stumbling, across the cobblestones at Somerset House expands into an army of camera lenses, feeling like you are dressed for the day is ever more important. From a Bill Gibb brown leather coat with silver bee embroidery, so rare that at the Issa show, Zandra Rhodes begged me to donate it to her Fashion Museum, a fantastically chic black lace Worth coat and Peter Pan collared chiffon dress, perfect for a deeply chic fashion party, to a retro double act of a Bus Stop striped suit, teamed with a YSL coat so contemporary in its shape with its raised shoulders and slim cut that I wish Hedi Slimane had seen it for inspiration for this season. Like Cinderella camera-ready for the ball, I felt not only show-appropriate, but allowing myself some fun at the stylist’s best game of all, that of dressing up….

Vauxhall Fashion Scout is hosted at the Freemason’s Hall, a location filled with the best interior styling in London, that often I wonder how the shows will surpass this symbolised vision of stars, pentangles and stained glass. Portia from Pop PR hosts several of her shows there, and it was here I dashed uphill in Gina peep-toed heeled boots from Somerset House (no mean feat, awful pun!), for a selection of shows. One highlight was by newcomer to London, Turkish designer Zeynep Tosun: Elizabethan style leather ruffs, pattern embossed over knee boots, which matched the embroidered sleeves on a slouchy biker jacket, jet beads on black velvet teamed with the sheerest chiffon, fluted pencil skirts and wide legged trousers, all served in a palette of autumnal reds, yellows, browns, black and white. This was a confident collection from a London newcomer and one I feel certain we will hear more from very soon.

London Fashion Week is a fantastic opportunity to catch up with fellow fashion editors: sitting next to me at the Temperley show held in the Dorchester Ballroom was the lovely Tiffany Fraser Steele, whom I interned for at Tatler, and is now Senior Fashion Editor at Marie Claire. The collection was a cool customer of chic, inspired by Hitchcock’s leading lady Tippi Hedren. From a white swing coat, falling open over a chevron patterned black dress, teamed with soft black leather gloves, to Swarovski embellished collars, worn with polo-necked dresses and accessorised with white driving gloves, this was a collection perfect for cocktail hour and off-duty starlets. Bernard Chandran’s show had a similarly Hitchcock sensibility, styled by my friend Karen Binns, with Kim Novak as this show’s ice blonde heroine. Handbags were tightly taut to the elbow, while block coloured satin silhouettes were teamed with matching coloured polo-necked balaclavas (a trend in the making), topped with Oriental-style hats.

At the Osman show, I was seated next to the lovely Virginia, whose collection of vintage gorgeousness has been used by many designers as an inspiration for their collections. Her shop’s basement is an ode to Miss Havisham: visions of the palest pastel chiffon and lace, from virginal white Victorian underwear to delicate deco bias-cut dresses. These vintage clothes are a tutorial in craftsmanship, worthy of any fashion show. The Osman show was softer and somehow sexier than I have seen from him in previous collections. The dropped 90s style sleeve (a strong trend for all the collections) was in evidence: from a short-sleeved grey coat, teamed with brocade trousers and draped blouse, to an assymetrical hemmed gilt-hued dress, or an embroidered cream and gold cape. The coherent palette of winter whites, iridescent metallics and soft tones flowing into a strong black finale felt confident and is certain to sell well.

Roksanda Ilincic designed my wedding dress and very lucky I was too to wear something so fabulously fairy tale designed by a woman who wears her own designs, and therefore knows just where to place a zip or a pleat, to make her customer look as beautiful with as little fuss as possible. It sounds simple, but given the amount of complex designs out there, I can tell you that sadly it isn’t. Roksanda showed at the Savoy Ballroom, conveniently located close to Somerset House, but rather than a simple catwalk, has the feel of a latter-day couture show, with it’s Tiffany blue and gold walls and mirrored panels. For the show however, it was subverted with carpeted walls in pinks and pastels, designed by Gary Card, to hint at the colours in the collection. Pinks and greys were off-set by orange and lurid green. Roksanda is known for her clever colour combinations and this season didn’t disappoint. If the carpets and wood hinted at 70s suburbia, there was a subversion at the centre of this collection, with maroon woollen dresses and wide pleated skirts, teamed with black PVC T-shirts and sports jackets.

While Paul Smith’s evening show was hosted at Tate Britain, a 70s referenced collection of stylish separates, Meadham Kirchhoff’s show was held at The Tate Modern. I walked over from Somerset House across the river with stylist Sasa Thomann, admiring the view and chatting about the season. We entered the Topshop show space to Ravel’s Bolero, which lead me into daydreams of Torville and Dean. I was expecting therefore something dreamy, light and fit for ice-skaters. Whilst their signature, fast-paced, over-all-too-quickly show took each of us by surprise, it was as much for this season’s commercialism as for the beauty of the collection. Gone were the witches and puppets, the painted dolls and raver goddesses; in their place was a subversive take on Marc Jacob’s 60s monochrome SS13 world, with Chanel-style jackets, a PVC apron central panel over a double-breasted white coat and my personal favourite, a black velvet long dress with white chiffon collar and hem of patterned white lace, perfect for the Russian blogger star, oligarch’s wife and fashion big-spender Ulyana Sergeenko in its poetic romance.

My last London show of the season was Ziad Ghanem, which Sasha Lilic urged Tara St Hill and I to come with him to see, after enjoying the beautifully mature collection by Maria Grachvogel (that lady knows how to drape!), and the last-day-on-earth-so-let’s-enjoy-it eccentricity of the Ashish show, styled by my ex-assistant and bridesmaid Anna Trevelyan. Ziad Ghanem clearly has cult and underground in his very DNA; the make-up alone was fantastic: a vision of colour and drama, inspired by transvestites and 50s glamour. The models were a celebration of quirky casting – tattooed, curvaceous drag queens: each one a different, divergent sense of beauty and all cheered along by the buoyant crowd. From a canary yellow cat bowed blouse, worn with a slim cut African printed bold back split skirt, to a lilac taffeta wide-hipped skirt, worn with a poppy embroidered hand-painted blouse and 70s style turban, this was a happy collection, which the audience adored. When the finale came with a soundtrack of Always Look On The Bright Side Of Life, the crowd clapped along smiling, not a fashion pout amongst them.

To see more of Tamara’s work, visit www.tamaracincik.com

 

My Interview with Stephen Jones for Jimon Magazine

Wednesday, June 27th, 2012

Interview with Stephen Jones for Jimon

The Loveliest Mad Hatter of them all: Stephen Jones.

Beauty Boys with T and T by T…

Wednesday, May 30th, 2012

Tamara and Tamara, shot by Tara with Dukey and Phoenix at the Heath.

After a walk which felt like Indiana Jones pushes a pram around the Heath, while my baby  giggled at the hilarity of it all: how heavenly to spend time at Kenwood while the rhododendrons are out, bumping into old friends on a shoot randomly set up next to us.  A perfect afternoon with our gorgeous gifts of love xxx.

Things That Go Bump In The Night – Mishka Photos By Karolina…

Friday, October 28th, 2011

Photos from the darkside at Mishka Halloween Night, all courtesy of the uber-talented Karolina, for more of her work please go to: www.karolinaurbaniak.com

We Did The Monster Mishka Mash…

Friday, October 28th, 2011

The Duke as Count Dukula and I Ready To Style Up a Storm At Mishka Vintage

Last night I hosted a Halloween Styling Night at my favourite North London vintage emporium Mishka.

Spooks, witches, children of the night braved the cold wet wilds of N8 to shop: channelling their inner divas of darkness purchasing looks perfect for the twilight hours and start of party season as Halloween leads to Bonfire Night, leads to Thanksgiving, Christmas, New Year’s Eve…  aka a fabulous bunch of excuses for a cocktail dress, Ossie Clark maxi dress, bias cut lace beauties, or any number of retro treats.  As treats become the new tricks!  Boom….

Sherene From My London Agency and Friends. VERY happy with their purchases.

Lizzie and Miles from Mishka with Kirsty a Local Luminary.

Amazing!

Admiration.

Felicity Knows Her Bags! Formerly PR for Angel Jackson: She Was Delighted With This Retro Lovely.

The lovely Nadia Jones whose has designed the best in high street womenswear (from Oasis to Mary Portas), fell in love with a 30s webtastic long dress, perfect for an awards ceremony she is attending next month; while my bridesmaid, the stylist and some might say living Barbie ‘Dolly’ Anna Trevelyan, rocking a fluro pink wig (sadly I wasn’t with my camera to capture the moment) swooped on an 80′s black and lurex long, sleek cardigan.

If you didn’t get the chance to join us last night, I suggest you do soon!