Posts Tagged ‘Interview’

An Interview With For My Friend Kirsteen Martin’s Fantastic Brand: Studio Design.

Friday, February 7th, 2014

What does design mean to you?

Good design is something you don’t have to think about, as it works flawlessly in your life.
I don’t feel design ends with a product, it is how you lead your life, how you interact with people and the choices you make. These design your life; hopefully how you want it be. I enjoy a beautifully made dress, sofa, or cushion: appreciating what I consider to be their great design; but I do see design as more than objects I can buy.

What inspires you?

My family. My son’s laugh and cuddles. I do love when a client is happy with my work.

I bought a Moldovan Kelim rug in Istanbul this weekend. As soon as I researched the style of carpet I wanted: made for a her dowry by a bride, I fell into an imagined thematic of the story of these rugs: how they seem like a meeting point between Balkan and Ottoman designs.
I could see a running storyline of these women and their lives, their expectations and their hopes.

I hope that they were well-paid for their rugs… I shall treasure mine. They are simply magical. That inspired me this week.

I then went to see my client, Zeynep Tosun, on the otherside of Istanbul, to discuss her show this upcoming London Fashion Week. I had an idea for the show, for some pieces to be designed, which I don’t think has been done before by a designer, in that context – often working as a stylist, my work is instinctive, which is really creative – it was such a buzz to discuss this idea, considering the marriage of artisan talent with good design.

I believe in some way, though this idea for my client Zeynep, is nothing to do with a kelim rug, the carpet I bought inspired me.
What would be your ideal collaboration?

I would love to work with brands on their collections. There are so many brands, which I think need refining, or redefining. A wish list client would be Chanel.

How do you think digital technology and social media affect the fashion industry?

Digital technology is such an intrinsic component of fashion: from the prints designers, such as Peter Pilotto, use on their clothes; to the cut and fit, that it really is vital to the business as it is now.

Social media is a part of life. People can be kept up to date on what you are doing: whether it is someone in the industry, or someone who is interested in what we do. It’s a great way to access an audience, discuss a point of view, to show a fashion film – and sometimes to have a rant!

Some blogs are brilliantly written or photographed; some are just heinous. There can be a lack of editorship filter in the blogosphere; which Suzy Menkes debated brilliantly in her column; but fashion is about trends and this is the latest.

What has been your biggest lesson whilst working within the fashion industry?

Good manners, which isn’t something I learnt in the industry, but something I try to apply on a daily basis to my working and non-working day, I would say is a big lesson. Never be rude to anyone. We are all working hard, under deadlines and stress.

In terms of fashion, I tend to know what I like very quickly what and what will work for a shoot.
I now have a system of editing, which I find works well for me, but I think for all stylists, it is trial and error and also being adaptable to a client, or situation, within a framework of discipline, keeps shoots on track.

How do you differentiate yourself from other fashion stylists?

I am quite good at layering?!

http://www.studiodesignuk.com/studio-now/guest-writer-tamara-cinkik-fashion-stylist/

My Interview With Hiphunters Magazine.

Friday, January 10th, 2014

Tamara Cincik, stylist, writer and brand consultant!

Tamara Cincik

Tamara Cincik is someone you need to know! She’s a London based fashion stylist, writer and brand consultant. (She’s certainly an accomplished woman of our era). Her styling has appeared in several international style magazines and furthermore, she holds the position of contributing Fashion Editor for many other high-end publications.

After graduating from UCL with a BA Honours degree in English Literature, Tamara assisted various leading stylists, including Anna Cockburn, for whom she worked, as an assistant, three years. Known for juxtaposing aesthetics and concepts, Tamara mixes the unusual with the everyday to, in what she calls, “mundane magic”, delve into the imagination to create a superlative reality within our own.

What we love the most about this woman is that she transcends through markets, she can work with couture as well as high street labels. She has been consultant and worked catwalk shows from Lacroix to Topshop. She does what she loves and what she believes in, and there’s no stopping her! Most definitely a force of nature, even in her spare time, she can be found gardening and writing about it for the Guardian online!

1. You style many runway shows and act as a consultant to well-known brands, why do you think everyone seeks your collaborations?

I love working on shows for clients, pushing a designer’s potential and making people take notice of their talent. My 2014 New Year’s resolution is to do more consultancy and creative direction. This really excites me and this is where I see my career heading, I hope.


Vogue UK – Styling by Tamara Cincik


Vogue UK – Styling by Tamara Cincik


Commons and Sense – Styling by Tamara Cincik


Eva Herzigová – Styling by Tamara Cincik


Novembre – Styling by Tamara Cincik


Grey – Styling by Tamara Cincik

2. What’s your never-fail, go-to outfit?

I’d say there are three: depending upon what I am doing…

a) If I am staying in working: blue and white denim dungarees from Beyond Retro, with a Sacai blue cardigan and a KTZ T-shirt.

Look 1

b) If I am going out to a meeting, but also need to run about: my old teenage blue denim 501?s, with a Markus Lupfer sweatershirt with a floral design on the front and a peplum, worn with a Jean Paul Gaultier blouse underneath, with a Florian necklace, my friend, Melanie Chan, the Creative Director at Jas M B gave me for my birthday and perhaps a pair of Manolo Blahnik bronze heeled loafers with matching socks – I am very into shiny shoes!

Look 2

c) If I am going out: an amazing trench meets velvet dress by Sacai from the AW 13 collection, which my dear (and very generous!) friend and former editor Ingrid Brochard treated me to this Christmas, or perhaps a vintage dress from Lizzie at Mishka Vintage, who is my go-to expert for vintage. I have a great Biba padded brown floral coat from her, which I wear with culottes, a Bill Gibb sweater also from Lizzie’s shop and Marc Jacobs sheepskin lined boots. I tend to wear vintage with a nice pair of heels and am lucky as I get invited to sample sales, so have a range of gorgeous shoes from Manolos to Louboutins.


Sacai AW13

3. Which piece should every woman invest in?

A hat in the sun!

In Turkish culture (my father is Turkish), traditionally, women are bought gold by their family, so it isn’t their investment; it is their family’s. It once acted as a dowry. I have 22 carat gold jewellery, which I wear every day and which I was given. I would say it is for the individual and their bank balance, whether this is important to them.

Good skin is the sign of good health, so for me it would be a hat to wear in the sun: I love my Lock and Co. panama, or my fedoras from Stephen Jones. I wear sunscreen in sunshine and use moisturizers.

4. And men?

Nice underwear and moisturizer. I’m not saying that they should spend hours in front of the mirror, English men certainly aren’t like Turkish or Italian! But a little sense of cleanliness goes a long way, doesn’t it ladies?!

Over the age of 30, good trousers or jeans and putting an end to wearing trainers, unless they are at the gym.

5. Could you please create your perfect casual, but at the same time chic, look with clothes from Hiphunters Shop?

It would be jacket from Cerruti 1881 Vintage, Erdem silk jumpsuit, Saint Laurent heels, and Garrard earrings.

CERRUTI 1881 VINTAGE – JACKET
Cerruti 1881 Vintage
Jacket
177.02 £

Shop-button

————————————

ERDEM – Vala SS Eames Silk Jumpsuit
Erdem
Vala SS Eames silk jumpsuit
1353 €

Shop-button

————————————

Garrard – Wings earring
Garrard
‘Wings’ earring
7213.57 £

Shop-button

————————————

Saint Laurent – Paris capped-toe leather pumps
Saint Laurent
Paris capped-toe leather pumps
466 €

Shop-button

————————————

6. Which has been your most challenging shoot?

There was a Japanese artist I was sent to work with, for a French magazine in Paris. She had a studio with her husband in the Marais. I would say they were the most challenging; but the results were amazing, so if it turns out great, I don’t mind the challenge. These are part of working with creatives.

7. Whose style do you really like?

You look at a lot of celebrities and might like their style, but usually that is their stylists’… I like the way these people, some of whom are friends, put their clothes together and they come from a varied range of incomes (from billionaires to regular ones). I don’t believe money buys style, I have known some very stylish people living on not very much money and vice versa…

Stylish people I like: Ulyana Sergeenko, Tara Subkoff, Tara St. Hill, Karen Binns, Carine Roitfeld, Sarah Reygate.

Ulyana Sergeenko


Tara Subkoff


Carine Roitfeld


Karen Binns


Tara St Hill


Sarah Reygate

8. If Dior were alive right now, what do you think he would think about the grunge trend?

Christian Dior’s New Look was a shock to post war fashion and mindsets. The skirts used vast reams of fabric, and in a time when these were highly rationed, sent out a direct message to women about what was and wasn’t modern. Grunge in the 1990?s was a reaction to the 1980?s consumerism and therefore again highly politicised. I would therefore imagine Christian Dior would be looking at the longer historical trajectory of any style, just as his was an echo of the 1850?s crinoline, this grunge trend is an echo of the 1990?s and perhaps therefore he might think in our post 9/11 world a cultural critique of what we are reacting to now. Also designers who have worked their way up to the post of chief designer and large houses are now pushing 40, so were 20-something then. They might have been inspired by their youth…

9. What inspires you while working?

When a team comes together to create a shoot which was in my head and makes it even better than I had imagined. It is great when a client, or publication, is happy with my work. I love working on consultancy and creative direction, time flies by when you enjoy what you do!

The Point Is Now…

Thursday, May 2nd, 2013

A school friend, Fiona, who is involved with this fabulous event, has kindly invited me along to the series of talks at RIBA tomorrow hosted by Point.  Looking at the schedule for tomorrow, I have to say I am quite excited to hear Peter York whose opinions upon Sloane Rangerdom proliferated my adolescence with quick witted reference points, when I somehow gatecrashed into a world where women wore pearls, everyone wore their collar up and ‘ok’, literally did end with ‘ya’….

Peter_York_2_Feature_Web

Themed around the concept of ‘authenticity’, it will be fascinating to hear, (gulp) 20+ years and another Tory PM at Number 10 later, what Peter’s verdict on today’s authenticity is.

http://pointishere.com/schedule/

All is Revealed! The Lovely What’s In My Handbag Ladies Sweet Interview With Me Online Today.

Wednesday, June 27th, 2012
STYLE AND SUBSTANCE

Tamara Cincik, Stylist, Writer & Creative Director

EMMA HARDIE – MORINGA CLEANSING BALM
CHANEL – LE VERNIS NAIL COLOUR
GIVENCHY – MAGIC KHOL EYE LINER PENCIL
BARRY M – COLOURED MASCARA
CHANEL – ROUGE COCO HYDRATING CREME LIP COLOR
CHANTECAILLE – TOTAL CONCEALER
ACQUA DI PARMA – IRIS NOBILE EAU DE PARFUM

 

Tamara Cincik had us rapt the minute she whirled into the WIMH shoot, dispensing historical nuggets and style dictats ten-a-second (we’re with Anne Boleyn all the way and yes, we will go blonder Tamara). A stylist with some serious smarts Tamara also writes for weightier-than-the-average-publications (PurpleJimon and Corduroy), consults for an eclectic assortment of brands (from Topshop to Christian Lacroix) and tracks down beautiful vintage duds for a choice coterie of celebrity names (Feist, Daisy Lowe and Natasha Khan, for three). We asked Tamara to namecheck a few of her favourite locations (and PS, thanks to the wonderful Lizzie Greene of North London’s vintage emporium Mishka, where this shoot and interview took place)…

Maison Bertaux My Soho office – I’ve been going there for years, since the beginning of my career really. I call it my litmus test for meetings – if the person I’m meeting likes it I know we’ll work well together! I’m the only customer they let drink a Diet Coke from the can – they feel it lowers the tone, but I am allowed special drinking rights, I love that. It’s reassuring in its timelessness, a slice of old Soho with a bohemian and Hugenot past.

Maison Bertaux

The School Of Life An interesting place to feel a burst of Bloomsbury inspiration. I went to UCL nearby so have always enjoyed bookish moments retracing the steps of The Bloomsbury Set. One of my imagined favourite buildings is on the corner of The British Museum, its iron railings are sublime: as an undergraduate I imagined this as my ‘room of one’s own’.

Lamb’s Conduit Street There’s something glorious about a street that becomes somewhere you visit for things you wouldn’t normally see – when you buy something you know you’re paying for all sorts of start-ups and one-offs to continue in business. Lamb’s Conduit Street is great for browsing – there’s a huge range of cool but understated menswear shops – AlbamOliver SpencerFolk and more. I also like DarkroomThe People’s Supermarket and Persephone Books, which specialise in reprinting former classics which have lost their current voice.

From L-R Folk & Darkroom… a few of Tamara’s Lamb’s Conduit Street favourites

Firle, Sussex It’s unbelievable that this amazing village is so close to London, it’s almost the place that time forgot. It’s filled with such creative, warm-hearted people – I have friends who live there and it always feels magical when I drive the car down the track to their farmhouse. Middle Farm is a brilliant farm shop with activities for children right in the middle of the village and Charleston House, a Bloomsbury landmark, is nearby – take a bicycle and ride through the local villages and you really sense the magic of the Sussex Downs.

Hampton Court Somewhere I would recommend everyone enjoy a lovely sunny day. My childhood obsession with Tudor history remains unabated – I get a thrill each time I walk through the courtyard into the rooms designed by Cardinal Wolsey. Denham Village is a ridiculously pretty Tudor village, somewhere I used to love going to as a child and conveniently close to a brilliant Saturday morning car boot sale.

Inside Hampton Court

 

SHOP THIS BAG

EMMA HARDIE Moringa Cleansing Balm

TAMARA SAYS
My skin’s quite dry but this makes a real difference. It has a slightly grainy feel so needs massaging in – I used to be a masseur so understand the importance of not just slapping on skincare and hoping for the best. This gives me something to work with.

SHOP

£ 34.00

CHANEL LE VERNIS Nail Colour

£18.00
Selfridges

SHOP

GIVENCHY Magic Khol Eye Liner Pencil

£15.00
houseoffraser.co.uk

SHOP

BARRY M Coloured Mascara

£5.19
barrym.com

SHOP

CHANEL ROUGE COCO Hydrating Creme Lip Color

£24.00
Selfridges

SHOP

CHANTECAILLE Total Concealer

£32.00
uk.spacenk.com

SHOP

ACQUA DI PARMA Iris Nobile Eau de Parfum

£94.00
liberty.co.uk

SHOP

At Least In This Photo I am Smiling... Note The Look Of Horror In My Eyes! I Am Curiously Ridiculously Shy In Front Of The Camera...

TAMARA CINCIK

Stylist, Writer & Creative Director

Creative director and brand consultant Tamara Cincik writes and styles for an impressively wide range of clients, from i-D magazine to Twentieth Century Fox, Zoe Kravitz to Charlotte Church. A degree in English Literature from UCL and a passion for the past (the Tudors being her particular historical crush) means she has a way with words as well as wardrobes, and has mentored and lectured at The V&A, London College Of Fashion and The Ethical Fashion Forum. She lives in London with her husband and son.

 

http://www.whatsinmyhandbag.com/magazine/97/tamara-cincik-stylist-writer-and-creative-director-style-and-substance?utm_source=Facebook&utm_medium=Magazine&utm_campaign=Tamara-Cincik

 

My Interview with Stephen Jones for Jimon Magazine

Wednesday, June 27th, 2012

Interview with Stephen Jones for Jimon

The Loveliest Mad Hatter of them all: Stephen Jones.

Two Ladies: From CC to WE.

Tuesday, December 6th, 2011

Coco Chanel

In 2001 Walter Van Beirondonck curated Fashion 2001 Landed/Geland in Antwerp, which to date still stands as the best exhibition (actually a series of events and exhibitions, which took over the whole city) I have ever been to.  Stephen Jones and his partner the lovely Craig took me under their wing and together we went to museums, shows and supper.  One event called 2women celebrated  two women who have indeed changed the course of 20th century womenswear: Coco Chanel who liberated us from frills, corsets and hobble skirts and Rei Kawakubo whose Japanese ultra-modernity redefined what it is to be glamorous without overt sexual display.  One evening a Comme Des Garcons show was presented to an eager audience filled with the Antwerp Six and their coterie, who I observed all quite happy to sit together, unruffled by rivalry and show their admiration for Rei’s remarkable designs.  That afternoon an 18th Century house in the city had been taken over for an exhibition to celebrate all things Chanel.  From a room laid out with bottles of No. 5 in a huge 5 pattern, to an enclosed room filled with black and white images of her monochromatic universe; it really was an extraordinary day, celebrating two extraordinary women.

This Wednesday I am very excited that my local bookshop Daunt Books is hosting an event to celebrate, discuss and challenge assumptions about Chanel with another iconic woman from the 20th Century, Wallis Simpson at Keat’s House.

Wallis Simpson

Both known for their personal taste and unorthodox lives, I love the idea of placing them together, since both in their ways  were utterly radical, breaking through convention, class system strictures, albeit with a constant veneer of stark style where noone was either too rich, or too thin.

If you are free this Wednesday, I would utterly urge you to join me, my dear friend Lizzie from Mishka Vintage and others paying homage at the talk by Justine Picardie and Anne Sebba, authors of Coco Chanel, A Portrait and That Woman, the story of Wallis Simpson.  I can’t wait to hear them in conversation, having just finished Picardie’s biography last week.  Keat’s House is a ridiculously gorgeous venue at the bottom of a beautiful lane of houses close to Hampstead Heath: part of the reason why I love North London.  £5 including wine.

Sometimes I forget why I love clothes, why I persist in wearing heels and a hat when it really is far faster in flats, I lose sight of my truth: that style has its story and its power potency.  After this talk, I am sure I will remember and revel in the reasons why I love shoes, chiffon and sequins quite so much.  I expect to be re-enchanted.

Keat's House

To book online, please go to:-

http://www.dauntbooks.co.uk/events.asp

For more information regarding Landed/Geland:-

http://www.contemporaryfashion.net/index.php/none/none/104/uk/exhibition.html

My Interview with Mary Portas for ASOV

Friday, August 26th, 2011

PRET A PORTAS: AN INTERVIEW WITH MARY PORTAS FOR THE OPENING OF HER SHOP AT HOUSE OF FRASER. BY TAMARA CINCIK.

Mary Portas is a brilliantly British phenomenon. She transformed Harvey Nichols into the shop we all wanted to spend in; then she marched onto our TV sets, teaching her retail mantras to failing businesses, the charity market. From OAPs working in charity shops, to overly hair-gelled estate agents, her refreshingly real retail prowess made for gripping viewing, as we saw her map out how they could improve their businesses, we all felt her verve, her potent power at seeing where things could improve and wanted so much for them to listen. SS-Become
Now with her store-within-a-store at House of Fraser on Oxford Street, Mary has identified a gap in the mid-market high street here in the UK, the over 40s stylish woman. Cecilia Chancellor is the model: a face at once familiar to anyone who remembers ‘The Face’ or my old boss the talented stylist Anna Cockburn’s 90’s fashion shoots and I think the perfect fit for Mary’s store and its image. En route to a Cornish weekend away she kindly answered a few questions about the store and why someone like me (a new mother with so little time to shop, that service now more important than ever) might like to go there.

Mary-portas

1) Mary Portas at House of Fraser is a new collaboration for Mary, in that it brings her manifesto – her Maryness to Oxford Street, to a department store and therefore to a mass market who know and love her from her TV shows. How different do you think this is from what is on offer currently on Oxford’s Street, or indeed ‘the’ high street?

Mary: Because I’ve created a curated space; everything in it has been edited down for grown up women in mind. Where there’s just too much stuff in the shops my space cuts through all of that to exactly what women need and want. Then the design of the shop is hugely important; the space and the staff is all geared towards a great experience. You’ve got to see it and feel it to totally get it. Bring your baby in, the staff will take care of you and him and give you coffee….

MP_slider1v2


2) What I love about Mary is her direct no-nonsense charm: she gets straight to the point and we admire her all the more for it. It became a saying in our house: ‘what would Mary say?’ when we experienced bad service in a shop or restaurant. With online shopping so prevalent now, is service even more important for retail’s survival? Will we pay a little more for a little more?..

Mary: Service is a no brainer. Customers want service that includes knowledge. The staff in the Mary shop had an exam before they were allowed near the shop floor. When they serve you,  they will be able to tell you everything about everything in the shop; right down to how the shoes were made, and the essential oil in my candles and the story behind each one.


3) The over 40’s woman Mary has identified is a largely untapped  resource in fashion, which I agree is more fool the industry, as these  are the women whose kids have grown up, who have worked hard and
have  more money available to shop. What do you feel are the differences in their needs and wants from a shopping experience and how are you satisfy this?

Mary: This is the no bullshit audience. They want quality at a
reasonable prince, they want sexy shoes that won’t kill their feet,
they want modernity and style that reflects where they’ve got to in
their life and their achievements. Its not twee. Its slick and cool.
No-one on the high street is doing this.

Mary-Portas-e1313746244454-325x455


4) My mother is an extremely glamorous 60 year old: ex rocker, child of the 60’s; well-versed in the ways of boutique shopping, as she started with Biba and Bus Stop. These babyboomers are the ones with
the cash, more than my generation are in lots of cases AND they are eternally youthful, way more than their war bride parents were. However they don’t like showing their knees and i saw alot of above
the knees looks on your website. Is this something, along with the arm coverage Mary has identified, which you are intending to add into the collections?

Mary: You can’t lump 40 year olds next to sixty year olds. Melanie is 40 next year! I’m sure you are in your mid thirties, you would not want the same things as someone twenty years older than you, it’s about a spectrum. There are a few above the knee dresses because the audience is grown up women; and not everyone wants to cover their knees! There are also below knee dresses; structured high-waisted leggings that are like spanx for your lower half, and pencil skirts that hit below the knee, as well as wide leg trousers. Later in the season, I’m proposing chic tunics to wear with those structured leggings and it is such a good look on a grown up woman. So many people are asking about this; I’m not dressing geriatrics. I want modern women through the door; if you don’t like your knees, that where the super high denier tights I’ve come in. My hosiery collection is designed to go with the dresses; the colours are great.

5) I love the collaborations with British brands, such as Clarks and Biba. What more are in the pipeline?
Terry de Havilland perhaps, Eley Kishimoto? For those of us who like our fashion more edgy than Clarks can offer, but still want it age appropriate and fabulous?

Mary: I haven’t collaborated with Biba; Biba is a sub-brand of House of Fraser’s and nothing to do with me! Working with Clarks has been a phenomenal experience for all of uson both sides, and the whole point is that my shoes look nothing whatsoever like trad Clarks. The Clarks elements incorporated into myshoes is the high quality production values, old-school workmanship,and best of all the inbuilt comfort technology. We’ve developed our own colours, leathers, and lasts.  This is Clarks, but not as you know it.

6) Christian Lacroix once told me that women over 60 tend to stop buying fashion. What can you do to entice them back into your shop?

Mary: Nothing, I’m not trying to entice anybody over 60. I’m trying to entice women with modern minds who don’t go around with a number attached to their sense of who they are.

153568587_01

7) What trends can you see translating from the catwalk into your store, ie appropriate for the market you have identified, in the next season?

Mary: I don’t see this market as a sub-group who are inspired by different trends than the rest of the market. This market is living in the same cultural landscape as everyone else; their needs are just slightly different, their desires are more sophisticated, and they put up with less crap because they can spot it a mile off. These are women, who if they had the budget would be shopping at Prada, Marni, Jil Sander, Donna Karan and DvF. There is nothing out there for them at a mid-to-premium high street level.  My sister is at the top of her profession in the NHS; but she could never stretch her salary to Prada, only on big birthdays. When she came to my shop she was like a kid in a candy store.   We’ve already set down some of our Spring 2012 trends. We’re feeling for sleek 1990’s inspired modern sporty silhouettes; we’ve got some spectacular prints in development with a contemporary artist, and there is a definite 1930s feel of opulence and elegance in the air inspired by the chic of Nancy Cunard and Diana Vreeland.

151518269__01

8) Do you intend to take this to other stores after London?

Mary: Yes. Manchester is next.

9) How hard is service with a smile?

Mary: I only employ happy people, service with a smile comes
naturally to them.

http://www.houseoffraser.co.uk/Mary+Portas/MaryPortas,default,pg.html

http://dianepernet.typepad.com/diane/2011/08/pret-a-portas-an-interview-with-mary-portas-for-the-opening-of-her-shop-at-house-of-fraser-by-tamara.html

 

My interview with Diane Pernet – out now in Jimon Magazine.

Monday, August 1st, 2011

Part one of my interview with the lovely Diane Pernet for Jimon Magazine.

 

Interview with Diane part two.

 

 

 

A sweet interview with me by Silvia for Dossier Journal – sunny day and sunny words!..

Wednesday, May 19th, 2010

Dossier in Conversation with Tamara Cincik

Tamara Cincik with her husband. Interview by Silvia Bergomi.

Tamara Cincik is a British stylist with a strong point of view. Her clients include a number of international VoguesThe New York Timesi-D, Christian Lacroix and more. She doesn’t tolerate time wasters or know-it-alls. And most of all, she believes in love.

Silvia Bergomi: When did you start your styling career and why?

Tamara Cincik: I started assisting after leaving UCL—where I read English—after being totally inspired by a rock ‘n’ roll-movie story Max Vadukul and Nicoletta Santoro shot together for Vogue Paris. I can remember the shoot very clearly: I fell in love!

Silvia: What do you think about the contemporary fashion world?

Tamara: The recession has made designers work harder; I saw some of the best shows I have ever seen this season. There is some plagiarism and laziness, sure, but Chanel was genius—as was Galliano, Givenchy, Sonia…lots of designers, especially those at the top of their game, seemed to really push their craft to its zenith.

Silvia: What is the thing that you miss most from the past (regarding your career)?

Tamara: I am sure most people have a degree of nostalgia for their youth/past [but] I think research is a lot easier now, with the Internet making is super simple to check references.

Silvia: Tell me a moral that you always apply to your life.

Tamara: Try to be nice to everyone; rudeness doesn’t really cut it.

Silvia: Was it difficult to reach your professional level?

Tamara: I come from a working class, ethnically mixed background in England. You have to work (at least) twice as hard.

Silvia: Where do you find inspiration?

Tamara: Dreams, films, books, what I wore before, nostalgia. I came to fashion through a childhood love of history, which went from reading history books at a crazily young age to collecting vintage. This led me into this dress-up box job. It all came from falling in love with the stories I found in the clothes.

Silvia: Who is the best photographer you’ve worked with?

TamaraJan Saudek. [He’s] a total legend—he even did one-armed push-ups! He would shoot (click, click) twice, get the image, print in the room next door and then start to hand-tint in the time we were doing the set-up. His work had been a huge inspiration for me. I was thrilled beyond to get the opportunity to work with him.

Silvia: Can you describe your style?

Tamara: It changes. I do like to put things together which don’t ordinarily flow and see what happens within that juxtaposition. There always, for me, has to be a degree of accessibility and believability. No matter how insane the idea, something has to be earthy and tactile; people can wear the craziest of outfits. There is nothing unbelievable about fantasia—for me it just needs to feel real somehow.

Silvia: What’s something that you’ll never do?

Tamara: Work on a McDonalds commercial.

Silvia: What’s your best recipe?

Tamara: I make this smoothie every morning:
A teaspoon full of spirulina
A dash of agave
A vitamin C tablet
A splash of omega oil
A swig of aloe vera juice
A swig of Dr. Mistry’s Iron Formula juice
A few handfuls of frozen berries
Ice cubes
Some Soya plain yoghurt
Some rice milk

Blend this in the blender, then I serve it with homemade, sugar-free granola. Delicious and oh so virtuous!

Silvia: Do you have a “routine”?

Tamara: I wake up, drink hot water, answer emails, do some leg exercises, drink a smoothie, water my seedlings for the allotment—which are currently on the windowsills here—then take on the world for the catwalk of life!

Silvia: What do you wear on a normal day?

Tamara: Heels and an ever-changing selection of moods.

Silvia: And for an event?

Tamara: Possibly the same, with more lipstick.

Silvia: What are three of your favorite movies?

TamaraA Matter of Life and Death by Michael Powell and Emeric Pressburger. Dr. Zhivago by David Lean. Wild at Heart by David Lynch.

Silvia: Sea or Mountain?

Tamara: Mountains. My Turkish family are mountain Yayla people. There is something very magical about drinking water from its mountain source and reaching a crystal-clear summit—I do love an eagle-eyed viewpoint.

Silvia: Where will you go on your next trip?

Tamara: Wales to shoot Charlotte Church, then Paris to shoot for Grey.

Silvia: A good memory?

Tamara: I have had lots! Alexander McQueen’s shows in London, Hussein’s show with the Turkish musicians in silhouette, my first shoot in New York for Mixte, my first show styling job, working in Paris for Christian Lacroix…so many!

Silvia: Are you religious?

Tamara: With a Church of England mother, a Muslim father, a Jewish aunt and Buddhist/Pagan leanings, I would have to say I think organized religion is all trying to say the same thing but getting caught in historical, geographical arguments. Faith and spirituality are important to me; religion and dogma, not at all.

Silvia: What makes you happy?

Tamara: Pottering on my allotment with my husband, walking on the Heath, car boot sales, cooking hippy food…

Silvia: What was a moment of great satisfaction?

Tamara: Getting married to someone I truly love, and after all the stress of organizing the wedding, realizing that our guests had a lovely time.

Above and below: Various shoots styled by Tamara.

Ellie’s belle bonpoint ballpoint interviews me and muses on Bats, Boleyn and bows…

Friday, March 5th, 2010

http://vagabondiana.blogspot.com/

My friend Ellie is a writer for magazines as glorious as Lula and Elle.  She recently gave birth to Doris Donne and true Cockney, and like me (and Natasha) a Scorpio.  See below for her recent interview with me for her gorgeous blog, which allows her free-rein for any uncommissioned musings and is a glorious read.

WEDNESDAY, MARCH 3, 2010

she’s tamtalizing

‘I find the fashion farce hard to take seriously.’

My mind is full of starter notes on things to look up when I have time. A brain full of boxes to come back to. A reading-list to last a lifetime. There are thousands of things in there from my boyfriend that I shall shuffle through in months to come, but another mind that constantly gets my own ticking is that of my friend, the fashion stylist Tamara Cincik.

This was going to be a short visual post; a few questions to Tamara on dressing Bat for Lashes lady-lark Natasha Khan for the Brit Awards, but I took a u-turn when Tamara, an eternal piece of passion cake, sent over a feast festooned with references. I love references, the short summaries of what gets people going. As I’ve said before, anyone with a passionality is interesting to uncover. So instead of cutting out anything ‘non-Natasha,’ I wanted more of Tamara’s take on anything. Her gypsies, 1960’s acid trips and Anne Boleyn. Some more boxes to tick soon. I’ll leave you to do the same.

Tamara’s take on …

… dressing Natasha for the Brits

I wanted it to feel and look like tarnished Hollywood. Natasha [left] had a book about the Hollywood designer Valentina [above] who would go to premieres in the 1940’s looking amazing; so utterly glamorous! I wanted Natasha to look like her own version of this: beyond any trends, dancing to her own rhythm and not at all looking like a generic pop star.

Natasha is very strong on accessories and knows what she likes: she wanted to have the gold sequin bow hat made, which I thought looked adorable and slightly off – which is always cool! And she loves Pamela Love’s jewellery, so we called that in and to be honest that was her choice, but I thought it was totally gorgeous and through pawing over Pamela’s jewellery it is clear she was right!

Jackie Tyson created the rainbow eyelash Natasha wore for the Brits and does her make-up for lots of red carpet events. However Natasha is amazing at make-up and lots of photos you see of her on TV or at festivals, she has created the looks herself.

… enhancing an existing stylish ‘flair’ rather than controlling it

It’s vital to work with Natasha in a collaborative dialogue. Image and style are intrinsic to her, as is how she feels – you can hear in her music that she works from an emotional, uncompromising place and she constantly works at this on all level. We send references back-and-forth and discuss ideas and images and then hone these into a total look design. I’ve recently worked on her tour outfits (she is currently in South America with Coldplay) and for this, I sent her a whole ream of designs and ideas and then we edited them and added her ideas in to create a bunch of looks for her to wear on stage.

… why even stylish stars needs stylists

Natasha has great ideas about how to dress and what to wear, she is very clear about how she likes to look and feel. For me, her style is more individual and quirkily iconic, rather than following fashion trends religiously and I celebrate that. Working with me as her stylist allows me to oversee that side of things for her more easily; she can trust my judgement and I always make sure she is involved and updated. I can access the labels, tailors or pr’s as of course I already know so many people through my other styling work, so in a way I can feed ideas and information through and then we can collaborate without her being bogged down with the admin-side.

…the importance of style in determining the success of a musician today

It’s vital: the world is so media-savvy that unless someone is the new Neil Diamond or Seasick Steve, I think it is kind of key.

… her life ambitions

I always thought I would grow up and become a gypsy, and travel about with my hair catching warmth in it’s curls and wearing broderie anglaise on tanned olive skin, barefoot. Then I did that. Or I thought I would live in Paris with a talented artist. Then I did that too. Then I decided it was time to grow up and become a serious careerist, so now I spend my day playing with clothes, and my summers growing vegetables at our allotment and my evenings reading Tudor history in the bath for hours, trying to work out why Henry V111 seems to have murdered everyone he loved. I find the fashion farce hard to take seriously and the regime of work and self-discipline hard to commit to after years of wriggling out of any form of control. [Tamara, above, on her ‘festival of love’-themed wedding day. No wriggling out of that one.]

… her life guru

Ram Dass is a spiritual teacher from the States who harks back to the time of Ken Keseyand Timothy Leary. He was an academic who took acid in those early Ivy League tests in the 1960’s and the trip totally changed his life: he dropped out of his professorship and began working with the counter-culture leaders of the era. From this he went to India and renounced his material life and lived with his guru for many years, before coming back to the west to teach.

He became one of the first westerners to go to India and try to reason with his life in a non-materialistic way, so his message is totally approachable and yet intelligent, marrying these worlds, yet there is something very Californian-meets-Woody Allen about his delivery, which I enjoy. Totally mesmerised by The Merry Pranksters as a teenager, I did all I could to recreate that life: going to India at 19, falling in love with a San Franciscan biker who taught Tibetan monks English while his mother read tarot back in Berkeley, and later being a huge part of the squat rave scene here and in Goa. Although there is the potential for his work to sound like the naffest kind of psychobabble, he is so intelligent that somehow brilliantly in the ease, there is genius.

… her inspiration

Stylist Karen Binns has this way of engaging with the world and her work which I find utterly captivating: she was a part of 1980’s New York and there is this, combined with 1920’s black cultural glamour-meet- classic Hollywood fantasia and I love it. Through her work you see how fashion is an escape and a message.

… her style icon

I was obsessed with time travel as a child and for some reason Anne Boleyn was my consistent starting point for dreamtime travels: I would oscillate between her, Elizabeth 1 and Mary Queen of Scots as a child at the French court – all very Tudor-specific! Anne was clearly highly intelligent; she grew up in the Burgundian court where women were expected to be well-educated and witty. She brought this finesse back with her from France and through her, England changed religion, changing it’s course forever from medieval to early modern. Anne was stylish in that I love her French hood and ‘b’ chain ensemble. I’ve recently read two books on her and it’s fascinating how each author has their own perspective about what is true and thereby we can see what is true is always subjective.

Princess Tamara [above] with her own prince in their own ‘Pink Tower.’