Posts Tagged ‘style’

Calling all Bloggers: Tea and Vintage Fashion Frolics Today at Mishka Vintage…

Wednesday, September 21st, 2011

Mishka Vintage.

Anyone who has read my previous posts will know of not only my love for vintage clothing, but also my friendship – or indeed friendshop – with Lizzie who owns one of the best vintage clothing shops in London.  Today between 5-8pm the lovely Lizzie at Mishka Vintage will be hosting a tea and cake soiree for all those who love their fashion with a dash of the sartorial swagger of a bygone age.

Mishka Vintage

212a) Middle Lane

London N8 7LA

Tel” 020 8341 3853


These Are A Few of My Favourite Things…

Wednesday, September 21st, 2011

Jonathan Saunders SS12 - evocative of the trend for dip-dyed hair in the audience.

London Fashion Week when it is good, very very good, can be a frothy fun-filled counterpoint, between the business with a capital B of New York Fashion Week, and uber octane glamore of Milan.  Several seasons ago when LFW was banished to the far corners of Battersea Park, it felt so shabby, so shambolic, so sorry for itself, with most shows looking little better than a pantomime at a village fete.  This week though, LFW has been very very good, with inspiring sun-kissed prints at Jonathan Saunders, wonderfully draped and reconstructed scarf dresses and silhouettes at Michael Van Der Ham, film noir Hitchcock heroines at Marios Schwab.

Jaeger SS12

There were hints of a world where women were ladies and travelled in style with sharp hats, elegant dresses: the world of my favourite screen goddess-lined films: from sharp brimmed hats and Jaeger, to sexy bikins at Holly Fulton.

Michael van Der Ham SS12

Jonathan Saunders SS12

It was almost as though LFW as a coherent collective had created the luxe looks for a woman who, harking back to the time when travel was elegant, when Hollywood stars waved in style from the stairs of a Pan Am aeroplane.  Some were evocative of a 1970s louche glamour and most importantly all would be top of most women’s wardrobe wearbility wishlist.

Michael Van Der Ham SS12 Finale

Stand and Deliver! My Interview with Dr Noki for the newly fabulously revamped Esthetica Review.

Wednesday, September 14th, 2011

My dear friends Jessie Brinton and Margot Bowman (bravo on that first from St Martins Margot!), have rejigged, rebranded and reinvigorated Esthetica into something quite, quite beautiful.  I feel proud to be a part of the new world order.

I Am In Love…

Wednesday, September 7th, 2011

Christian Lacroix's Arles Wallpaper 'Vuelta' for The Designer's Guild.

Oh my, my old mentor Monsieur Lacroix’s lyrical magical hand once more lights my heart.  Ooh la la Lacroix, I LOVE this wallpaper cacophany of colour which he has designed for more reasons than I can say: decorative maximalist perfection.

http://www.designersguild.com/

 

 

My Interview with Mary Portas for ASOV

Friday, August 26th, 2011

PRET A PORTAS: AN INTERVIEW WITH MARY PORTAS FOR THE OPENING OF HER SHOP AT HOUSE OF FRASER. BY TAMARA CINCIK.

Mary Portas is a brilliantly British phenomenon. She transformed Harvey Nichols into the shop we all wanted to spend in; then she marched onto our TV sets, teaching her retail mantras to failing businesses, the charity market. From OAPs working in charity shops, to overly hair-gelled estate agents, her refreshingly real retail prowess made for gripping viewing, as we saw her map out how they could improve their businesses, we all felt her verve, her potent power at seeing where things could improve and wanted so much for them to listen. SS-Become
Now with her store-within-a-store at House of Fraser on Oxford Street, Mary has identified a gap in the mid-market high street here in the UK, the over 40s stylish woman. Cecilia Chancellor is the model: a face at once familiar to anyone who remembers ‘The Face’ or my old boss the talented stylist Anna Cockburn’s 90′s fashion shoots and I think the perfect fit for Mary’s store and its image. En route to a Cornish weekend away she kindly answered a few questions about the store and why someone like me (a new mother with so little time to shop, that service now more important than ever) might like to go there.

Mary-portas

1) Mary Portas at House of Fraser is a new collaboration for Mary, in that it brings her manifesto – her Maryness to Oxford Street, to a department store and therefore to a mass market who know and love her from her TV shows. How different do you think this is from what is on offer currently on Oxford’s Street, or indeed ‘the’ high street?

Mary: Because I’ve created a curated space; everything in it has been edited down for grown up women in mind. Where there’s just too much stuff in the shops my space cuts through all of that to exactly what women need and want. Then the design of the shop is hugely important; the space and the staff is all geared towards a great experience. You’ve got to see it and feel it to totally get it. Bring your baby in, the staff will take care of you and him and give you coffee….

MP_slider1v2


2) What I love about Mary is her direct no-nonsense charm: she gets straight to the point and we admire her all the more for it. It became a saying in our house: ‘what would Mary say?’ when we experienced bad service in a shop or restaurant. With online shopping so prevalent now, is service even more important for retail’s survival? Will we pay a little more for a little more?..

Mary: Service is a no brainer. Customers want service that includes knowledge. The staff in the Mary shop had an exam before they were allowed near the shop floor. When they serve you,  they will be able to tell you everything about everything in the shop; right down to how the shoes were made, and the essential oil in my candles and the story behind each one.


3) The over 40′s woman Mary has identified is a largely untapped  resource in fashion, which I agree is more fool the industry, as these  are the women whose kids have grown up, who have worked hard and
have  more money available to shop. What do you feel are the differences in their needs and wants from a shopping experience and how are you satisfy this?

Mary: This is the no bullshit audience. They want quality at a
reasonable prince, they want sexy shoes that won’t kill their feet,
they want modernity and style that reflects where they’ve got to in
their life and their achievements. Its not twee. Its slick and cool.
No-one on the high street is doing this.

Mary-Portas-e1313746244454-325x455


4) My mother is an extremely glamorous 60 year old: ex rocker, child of the 60′s; well-versed in the ways of boutique shopping, as she started with Biba and Bus Stop. These babyboomers are the ones with
the cash, more than my generation are in lots of cases AND they are eternally youthful, way more than their war bride parents were. However they don’t like showing their knees and i saw alot of above
the knees looks on your website. Is this something, along with the arm coverage Mary has identified, which you are intending to add into the collections?

Mary: You can’t lump 40 year olds next to sixty year olds. Melanie is 40 next year! I’m sure you are in your mid thirties, you would not want the same things as someone twenty years older than you, it’s about a spectrum. There are a few above the knee dresses because the audience is grown up women; and not everyone wants to cover their knees! There are also below knee dresses; structured high-waisted leggings that are like spanx for your lower half, and pencil skirts that hit below the knee, as well as wide leg trousers. Later in the season, I’m proposing chic tunics to wear with those structured leggings and it is such a good look on a grown up woman. So many people are asking about this; I’m not dressing geriatrics. I want modern women through the door; if you don’t like your knees, that where the super high denier tights I’ve come in. My hosiery collection is designed to go with the dresses; the colours are great.

5) I love the collaborations with British brands, such as Clarks and Biba. What more are in the pipeline?
Terry de Havilland perhaps, Eley Kishimoto? For those of us who like our fashion more edgy than Clarks can offer, but still want it age appropriate and fabulous?

Mary: I haven’t collaborated with Biba; Biba is a sub-brand of House of Fraser’s and nothing to do with me! Working with Clarks has been a phenomenal experience for all of uson both sides, and the whole point is that my shoes look nothing whatsoever like trad Clarks. The Clarks elements incorporated into myshoes is the high quality production values, old-school workmanship,and best of all the inbuilt comfort technology. We’ve developed our own colours, leathers, and lasts.  This is Clarks, but not as you know it.

6) Christian Lacroix once told me that women over 60 tend to stop buying fashion. What can you do to entice them back into your shop?

Mary: Nothing, I’m not trying to entice anybody over 60. I’m trying to entice women with modern minds who don’t go around with a number attached to their sense of who they are.

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7) What trends can you see translating from the catwalk into your store, ie appropriate for the market you have identified, in the next season?

Mary: I don’t see this market as a sub-group who are inspired by different trends than the rest of the market. This market is living in the same cultural landscape as everyone else; their needs are just slightly different, their desires are more sophisticated, and they put up with less crap because they can spot it a mile off. These are women, who if they had the budget would be shopping at Prada, Marni, Jil Sander, Donna Karan and DvF. There is nothing out there for them at a mid-to-premium high street level.  My sister is at the top of her profession in the NHS; but she could never stretch her salary to Prada, only on big birthdays. When she came to my shop she was like a kid in a candy store.   We’ve already set down some of our Spring 2012 trends. We’re feeling for sleek 1990’s inspired modern sporty silhouettes; we’ve got some spectacular prints in development with a contemporary artist, and there is a definite 1930s feel of opulence and elegance in the air inspired by the chic of Nancy Cunard and Diana Vreeland.

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8) Do you intend to take this to other stores after London?

Mary: Yes. Manchester is next.

9) How hard is service with a smile?

Mary: I only employ happy people, service with a smile comes
naturally to them.

http://www.houseoffraser.co.uk/Mary+Portas/MaryPortas,default,pg.html

http://dianepernet.typepad.com/diane/2011/08/pret-a-portas-an-interview-with-mary-portas-for-the-opening-of-her-shop-at-house-of-fraser-by-tamara.html

 

Pretty in Pink, Isn’t she?..

Wednesday, August 17th, 2011

Alexander Mcqueen Pink Boots AW11

Some girls want a pony; some want ballet classes; but some girls want nothing more than to prance in pretty pink boots: audacious at a 51/2 inch heel.  Naughty on the inside, but oh so sugar and sweet on the outside….

It’s All Just A Question Of Time.

Wednesday, August 3rd, 2011

When Britain really did rule the waves, the high-point of her Britannia arrogance and verve was the 1851 exhibition.  A huge house of glass – a ‘crystal palace’ –  was constructed in Hyde Park.  Queen Victoria, her handsome consort Albert and their 9 children were resplendent in matching costumes: a visual hit of majesterial alchemy.  Exhibits from the Empire wowed crowds who had never left seen Dover’s white cliffs, as well as foreign guests and exhibitors who wanted to display the latest designs, inventions and innovations. 100 years later, to cheer ourselves up after WW2, Britain decided to hold another exhibition based on those same national pride principles, albeit now in a world where not only was the Empire and our certainty shrinking, those participating and attending had survived a war beyond all wars and still six years later wanted some fun and optimism after nearly a decade of post-war rationing.

70s Styling - Vol Au vent anyone?

 

The 1951 Exhibition saw the building of The Southbank: a concrete modernist Ark of artistic endeavour cutting a sharp swathe across the recently bombed southern side of the Thames: from Royal Festival Hall, to National Theatre, art lived on here in its mid-century absolutism.  The glass house which had encased the original exhibition was bombed and destroyed in its South London suburban location; what people needed was a boost, a sense of hope, yet like all British institutions, one founded upon a memory, an old idea made good, a sense of the past, of continuity into new ideas.

Which leads me to vintage: when I started buying old clothes, they were that, old clothes, secondhand was the name used and they were: 60s cocktail dresses bought from charity shops, deco bags at jumble sales, Victoriana from Portobello, as a teenager my penchant for silk velvet grew unabated as I would forego supper to buy something which I believed enchanted.  I can’t quite remember when secondhand morphed into vintage: perhaps when the prices went up? Perhaps when others en masse showed how they too shared my love affair with the old, with the stories, the craftsmenship and the unique beauty these clothes hold in their seams and darts.

Last Friday, my mother, my god daughter Zoe, my old friend Sukie and my 3 month old baby all went to Vintage at Southbank.  An homage to all things nostalgic curated by the Hemingways of Red or Dead infamy, to celebrate 60 years since the 1951 with a party/shopathon/fete/festival celebration of Twentieth Century modes in music, art, design and fashion.  Transgenerational, we moved from Abigail’s Party installation, to retro Art School printing class.  But it was the shopping, oh my friends the shopping, where my girls of all ages swooped on pieces of beauty, while my baby snoozed on magnificently.  You see he was already wearing the best in vintage: for I had prized onto him that morning a wondrous 1950s playsuit, baby shower gift from the lovely Mica, offset with a red and black check pair of M&S Vans.  I am sure if he could speak he would say ‘Mummy vintage rocks’.  Somehow too vintage has become a noun and for that I applaud last weekend, as a celebration of the best in past memories reshaped into something tantalising and hopeful.

The next day we went to Kew Gardens: both for Jeremy and Dukey their Palm House debuts.  For a still-standing glass palace and a relic of Victorian splendour in a cozy corner of South West London, I can recommend no greater way to spend a sun-kissed day.

The Green Eyes Have it! Weblink of my Sophie Ellis Bextor Shoot: Out this month. We Channelled Studio 54 and danced in an SE1 Studio to Donna!

Tuesday, August 2nd, 2011

SHE’S ELECTRIC

by AMNESIA MAGAZINE14.08.2011She's electricThere’s nothing cooler than Sophie Ellis-Bextor. Her dark hair, the tattoo on her arm that reads ‘Family’ inside a red heart, the love with which she speaks of her kids and how they set up tiny clubs at home while singing and dancing together. Sophie is a pop star and our weak spot. Her latest album, ‘Make a Scene’, will make us dream at Amnesia on 21st August.

The cover artwork for ‘Make a Scene’ is beautiful. Sophie in black and white, her eyes wide open, calm, the mouth just opening. Almost like a Mark Ryden character. This inspiring picture makes us think of a teen Sophie, almost gothic. She’s glad that the pictures in her new album communicate so much: “I love that you love the pictures! The photographer is Ben Weller. I wanted something that looked classic and I love that eerie look that black and white photos have to offer. We worked together for a couple of days, to gather up the pace and relax, and the idea evolved into something slightly different. I love the pictures where my hair is kind of billowing. I would’ve loved the picture on the back to be the cover!”

The cover is not the only evocative thing. The title of one of her new songs, ‘Heartbreak (Make Me a Dancer)’, is also evocative. Just by reading it you can picture her dancing alone in her room or in some club, melancholy. Where can we find her dancing? “Probably at home with my kids. I love playing them the music I love and we’re always singing. They also have a record player with club lights in their bedroom, so we can always set up a home club. I also dance at clubs, but that’s normally when I’m working, playing a set or a live gig. If I have the night off, I’ll usually just meet up with friends in the neighbourhood or I’ll go out for dinner with my husband. I dance enough on stage!”

And speaking about stages. Imagining her on the Amnesia stage is a powerful image. So pale, so incredibly beautiful and slightly ethereal. It’s great to have a dark-haired pop star… Sophie, please don’t ever dye your hair blonde. “My hair’s been red, blonde, even pink… but I’ll always be dark-haired in my heart”.

SHARETAGS SOPHIE ELLIS-BEXTOR, AMNESIA, IBIZA

http://www.amnesiamagazine.com/nota.php?id=24&tg=she’s-electric

 


 

Article with Mrs Burstein for Jimon Magazine.

Monday, August 1st, 2011

Mrs Burstein.

Mrs. Burstein is someone who somehow has always been a part of my life.  She might be the Queen of British fashion: the orb and sceptre bearer for universal good taste; but to me she is also my best friend Jessie’s Grandma and as such someone whom I have known since meeting for a family birthday lunch in Belsize Park many summers ago.

Here she kindly answers some questions I have always wanted to ask her for an article I wrote one handed, when my baby boy was no more than 10 days old.  Hope that you like it!

 

Interview with Mrs Burstein for Jimon Magazine.

Mrs. Burstein Proudly Receiving her CBE with her late husband.

 

 

Like Mother, Like Son…

Thursday, June 9th, 2011

Fade To Grey

As the mother of a newborn, I’ve appreciated that now is the key time to shape Dukey’s future: from his intellectual to sartorial futures.  Our days veer from light ‘reading’ while punching monkey and parrot on his playmat, to my finger-light taps to his forehead with a smile, saying: ‘lawyer, architect, doctor…’ (turns out I am truly a North London <half> immigrant mother!).   ‘We’ve‘ simultaneously been working out our sartorial style in coherent coalescence (indulge me!): think rock and roll lite, lots of easy jersey pieces, with colour coordinated casual charm.  Let the journey, the joy, the future commence…

Dukey working the sweats on rocker look.

Monkey should be very afraid: Dukey anticipating using his left hook...

Happiness.

True Style Often Displays A Playful Element...