Posts Tagged ‘Fashion’

3 Supermodels and on Day 4, The Lovely Hanna…

Thursday, February 2nd, 2012

Hanna P. Behind The Scenes: From Yesterday's Shoot with Alice Rosati

Taken from Alice’s Blogette: http://missrosati.tumblr.com/

I’ve had the best of work weeks, shooting Eva Herzigova, then Erin O’Connor and then Yasmin Le Bon, slightly overawed by their beauty and their down-to-earth loveliness: you know how when work is the best of fun and the best way to spend the day (bar cuddling my baby boy of course!).  Those shoots were for Corduroy the fantastic independent magazine from the States created by Peter Ash Lee, and whom I shot Lily Cole and Sir Ben Kingsley a few months back for the last issue (out now).

The day after the Yasmin shoot, it was another vibe entirely: ping-pang hot colours on the edge of the east – Hackney Wick – my version of the end of the world; albeit one filled with artists and wind chimes for a shoot with Alice Rosati and Hanna P, with Angelo on hair and my dear friend Sarah Reygate painting colorful eyes on a winter’s day.  The story is out very soon, hope you enjoy this sneak preview.

Making It Up As We Went Along…

Tuesday, December 6th, 2011

20 years! 20 years since Dazed & Confuzed was launched as a black and white fanzine and morphed from left-field counterpoint into the industry of cool epicentral position it now holds.

20 years of iconic shoots and covers and parties where the best and the beautiful have preened, pouted and completely known they where were everyone dreamed of being.  One party several years ago in New York was so utterly bacchanalian that, put it this way I thought I was going home to Harlem and woke up in Williamsburg…

20 years is maturity, it’s adulthood, the year before the golden key of graduation and the party to celebrate Dazed’s 20th anniversary was fittingly elegantly mature. Hosted at Somerset House, downstairs corridors were lit with lightbox strips of back issue covers, while rooms were curated into installations of editorial artistry by former Dazed photographic director, Emma Reeves: some were jagged angular shapes, some more traditional hangings, but I think my favourite was what I called the dark room where one solitary image was blown up to cover the room in it’s entirety with a walkway between.  The image was so evocative of something wondrous that Alexander McQueen would create that somehow it felt absolutely like an homage to Dazeds past: to the time of Katy England netherworld lyricism, of their work together where shows funded on a shoestring would captivate us with hints of lone wolfs, snow trapped ice queens and toy box captives.

Here I absolutely understood that the print world of magazines, with it’s visceral pleasure in turning the page is not the same as the visual enjoyment I get from reading online, that there is a different stimulus and reaction to the two; and while digital is our future this exhibition was somehow an amazing epitaph and celebration of all things print.

2DM stylist Tamara Cincik attended the London bash celebrating Dazed’s 20th anniversary last week. We dug into our archives in Milan to find some of our favourite covers from the mid-nineties. Vintage Dazed!

Tamara Cincik 

Share: Facebook,  Twitter

 

Things That Go Bump In The Night – Mishka Photos By Karolina…

Friday, October 28th, 2011

Photos from the darkside at Mishka Halloween Night, all courtesy of the uber-talented Karolina, for more of her work please go to: www.karolinaurbaniak.com

We Did The Monster Mishka Mash…

Friday, October 28th, 2011

The Duke as Count Dukula and I Ready To Style Up a Storm At Mishka Vintage

Last night I hosted a Halloween Styling Night at my favourite North London vintage emporium Mishka.

Spooks, witches, children of the night braved the cold wet wilds of N8 to shop: channelling their inner divas of darkness purchasing looks perfect for the twilight hours and start of party season as Halloween leads to Bonfire Night, leads to Thanksgiving, Christmas, New Year’s Eve…  aka a fabulous bunch of excuses for a cocktail dress, Ossie Clark maxi dress, bias cut lace beauties, or any number of retro treats.  As treats become the new tricks!  Boom….

Sherene From My London Agency and Friends. VERY happy with their purchases.

Lizzie and Miles from Mishka with Kirsty a Local Luminary.

Amazing!

Admiration.

Felicity Knows Her Bags! Formerly PR for Angel Jackson: She Was Delighted With This Retro Lovely.

The lovely Nadia Jones whose has designed the best in high street womenswear (from Oasis to Mary Portas), fell in love with a 30s webtastic long dress, perfect for an awards ceremony she is attending next month; while my bridesmaid, the stylist and some might say living Barbie ‘Dolly’ Anna Trevelyan, rocking a fluro pink wig (sadly I wasn’t with my camera to capture the moment) swooped on an 80′s black and lurex long, sleek cardigan.

If you didn’t get the chance to join us last night, I suggest you do soon!

 

Please Do Try To Join Us…

Sunday, October 9th, 2011

Designed by Margot Bowman: the invite to the Halloween Soiree

Hope you can make it to Mishka Vintage and join us for a spot of of styling up for Halloween.

It’s a Material World…

Monday, September 26th, 2011

Material Girl Magazine: Shoot with Ellen Rogers out now.

Here is a sneak preview of the Material Girl Story I styled at the jaw-droppingly fabulous House of Hackney: shot by Ellen Rogers.

If Ellen and I lived together in an alternate reality universe, it would be a world where Alice fell through the looking glass, tumbled down the rabbit hole and into the wilds and wiles of the Yorkshire Moors with Cathy and Heathcliff…

Please click on the link to see more/buy or take a peek:- http://materialgirl-mag.com/index.php?swfName=issue_nb_00

www.houseofhackney.com

www.ellenrogers.co.uk

Day Tripper by Jeremy Fusco.

Tuesday, August 30th, 2011

Day Tripper from Jeremy fusco on Vimeo.

The fashion film I styled when 9 months pregnant! SS11 Meadham Kirchhoff Collection Special
Shot by my fabulously talented husband.
Now on ASOVFF.

My Interview with Mary Portas for ASOV

Friday, August 26th, 2011

PRET A PORTAS: AN INTERVIEW WITH MARY PORTAS FOR THE OPENING OF HER SHOP AT HOUSE OF FRASER. BY TAMARA CINCIK.

Mary Portas is a brilliantly British phenomenon. She transformed Harvey Nichols into the shop we all wanted to spend in; then she marched onto our TV sets, teaching her retail mantras to failing businesses, the charity market. From OAPs working in charity shops, to overly hair-gelled estate agents, her refreshingly real retail prowess made for gripping viewing, as we saw her map out how they could improve their businesses, we all felt her verve, her potent power at seeing where things could improve and wanted so much for them to listen. SS-Become
Now with her store-within-a-store at House of Fraser on Oxford Street, Mary has identified a gap in the mid-market high street here in the UK, the over 40s stylish woman. Cecilia Chancellor is the model: a face at once familiar to anyone who remembers ‘The Face’ or my old boss the talented stylist Anna Cockburn’s 90′s fashion shoots and I think the perfect fit for Mary’s store and its image. En route to a Cornish weekend away she kindly answered a few questions about the store and why someone like me (a new mother with so little time to shop, that service now more important than ever) might like to go there.

Mary-portas

1) Mary Portas at House of Fraser is a new collaboration for Mary, in that it brings her manifesto – her Maryness to Oxford Street, to a department store and therefore to a mass market who know and love her from her TV shows. How different do you think this is from what is on offer currently on Oxford’s Street, or indeed ‘the’ high street?

Mary: Because I’ve created a curated space; everything in it has been edited down for grown up women in mind. Where there’s just too much stuff in the shops my space cuts through all of that to exactly what women need and want. Then the design of the shop is hugely important; the space and the staff is all geared towards a great experience. You’ve got to see it and feel it to totally get it. Bring your baby in, the staff will take care of you and him and give you coffee….

MP_slider1v2


2) What I love about Mary is her direct no-nonsense charm: she gets straight to the point and we admire her all the more for it. It became a saying in our house: ‘what would Mary say?’ when we experienced bad service in a shop or restaurant. With online shopping so prevalent now, is service even more important for retail’s survival? Will we pay a little more for a little more?..

Mary: Service is a no brainer. Customers want service that includes knowledge. The staff in the Mary shop had an exam before they were allowed near the shop floor. When they serve you,  they will be able to tell you everything about everything in the shop; right down to how the shoes were made, and the essential oil in my candles and the story behind each one.


3) The over 40′s woman Mary has identified is a largely untapped  resource in fashion, which I agree is more fool the industry, as these  are the women whose kids have grown up, who have worked hard and
have  more money available to shop. What do you feel are the differences in their needs and wants from a shopping experience and how are you satisfy this?

Mary: This is the no bullshit audience. They want quality at a
reasonable prince, they want sexy shoes that won’t kill their feet,
they want modernity and style that reflects where they’ve got to in
their life and their achievements. Its not twee. Its slick and cool.
No-one on the high street is doing this.

Mary-Portas-e1313746244454-325x455


4) My mother is an extremely glamorous 60 year old: ex rocker, child of the 60′s; well-versed in the ways of boutique shopping, as she started with Biba and Bus Stop. These babyboomers are the ones with
the cash, more than my generation are in lots of cases AND they are eternally youthful, way more than their war bride parents were. However they don’t like showing their knees and i saw alot of above
the knees looks on your website. Is this something, along with the arm coverage Mary has identified, which you are intending to add into the collections?

Mary: You can’t lump 40 year olds next to sixty year olds. Melanie is 40 next year! I’m sure you are in your mid thirties, you would not want the same things as someone twenty years older than you, it’s about a spectrum. There are a few above the knee dresses because the audience is grown up women; and not everyone wants to cover their knees! There are also below knee dresses; structured high-waisted leggings that are like spanx for your lower half, and pencil skirts that hit below the knee, as well as wide leg trousers. Later in the season, I’m proposing chic tunics to wear with those structured leggings and it is such a good look on a grown up woman. So many people are asking about this; I’m not dressing geriatrics. I want modern women through the door; if you don’t like your knees, that where the super high denier tights I’ve come in. My hosiery collection is designed to go with the dresses; the colours are great.

5) I love the collaborations with British brands, such as Clarks and Biba. What more are in the pipeline?
Terry de Havilland perhaps, Eley Kishimoto? For those of us who like our fashion more edgy than Clarks can offer, but still want it age appropriate and fabulous?

Mary: I haven’t collaborated with Biba; Biba is a sub-brand of House of Fraser’s and nothing to do with me! Working with Clarks has been a phenomenal experience for all of uson both sides, and the whole point is that my shoes look nothing whatsoever like trad Clarks. The Clarks elements incorporated into myshoes is the high quality production values, old-school workmanship,and best of all the inbuilt comfort technology. We’ve developed our own colours, leathers, and lasts.  This is Clarks, but not as you know it.

6) Christian Lacroix once told me that women over 60 tend to stop buying fashion. What can you do to entice them back into your shop?

Mary: Nothing, I’m not trying to entice anybody over 60. I’m trying to entice women with modern minds who don’t go around with a number attached to their sense of who they are.

153568587_01

7) What trends can you see translating from the catwalk into your store, ie appropriate for the market you have identified, in the next season?

Mary: I don’t see this market as a sub-group who are inspired by different trends than the rest of the market. This market is living in the same cultural landscape as everyone else; their needs are just slightly different, their desires are more sophisticated, and they put up with less crap because they can spot it a mile off. These are women, who if they had the budget would be shopping at Prada, Marni, Jil Sander, Donna Karan and DvF. There is nothing out there for them at a mid-to-premium high street level.  My sister is at the top of her profession in the NHS; but she could never stretch her salary to Prada, only on big birthdays. When she came to my shop she was like a kid in a candy store.   We’ve already set down some of our Spring 2012 trends. We’re feeling for sleek 1990’s inspired modern sporty silhouettes; we’ve got some spectacular prints in development with a contemporary artist, and there is a definite 1930s feel of opulence and elegance in the air inspired by the chic of Nancy Cunard and Diana Vreeland.

151518269__01

8) Do you intend to take this to other stores after London?

Mary: Yes. Manchester is next.

9) How hard is service with a smile?

Mary: I only employ happy people, service with a smile comes
naturally to them.

http://www.houseoffraser.co.uk/Mary+Portas/MaryPortas,default,pg.html

http://dianepernet.typepad.com/diane/2011/08/pret-a-portas-an-interview-with-mary-portas-for-the-opening-of-her-shop-at-house-of-fraser-by-tamara.html

 

Pretty in Pink, Isn’t she?..

Wednesday, August 17th, 2011

Alexander Mcqueen Pink Boots AW11

Some girls want a pony; some want ballet classes; but some girls want nothing more than to prance in pretty pink boots: audacious at a 51/2 inch heel.  Naughty on the inside, but oh so sugar and sweet on the outside….

It’s All Just A Question Of Time.

Wednesday, August 3rd, 2011

When Britain really did rule the waves, the high-point of her Britannia arrogance and verve was the 1851 exhibition.  A huge house of glass – a ‘crystal palace’ –  was constructed in Hyde Park.  Queen Victoria, her handsome consort Albert and their 9 children were resplendent in matching costumes: a visual hit of majesterial alchemy.  Exhibits from the Empire wowed crowds who had never left seen Dover’s white cliffs, as well as foreign guests and exhibitors who wanted to display the latest designs, inventions and innovations. 100 years later, to cheer ourselves up after WW2, Britain decided to hold another exhibition based on those same national pride principles, albeit now in a world where not only was the Empire and our certainty shrinking, those participating and attending had survived a war beyond all wars and still six years later wanted some fun and optimism after nearly a decade of post-war rationing.

70s Styling - Vol Au vent anyone?

 

The 1951 Exhibition saw the building of The Southbank: a concrete modernist Ark of artistic endeavour cutting a sharp swathe across the recently bombed southern side of the Thames: from Royal Festival Hall, to National Theatre, art lived on here in its mid-century absolutism.  The glass house which had encased the original exhibition was bombed and destroyed in its South London suburban location; what people needed was a boost, a sense of hope, yet like all British institutions, one founded upon a memory, an old idea made good, a sense of the past, of continuity into new ideas.

Which leads me to vintage: when I started buying old clothes, they were that, old clothes, secondhand was the name used and they were: 60s cocktail dresses bought from charity shops, deco bags at jumble sales, Victoriana from Portobello, as a teenager my penchant for silk velvet grew unabated as I would forego supper to buy something which I believed enchanted.  I can’t quite remember when secondhand morphed into vintage: perhaps when the prices went up? Perhaps when others en masse showed how they too shared my love affair with the old, with the stories, the craftsmenship and the unique beauty these clothes hold in their seams and darts.

Last Friday, my mother, my god daughter Zoe, my old friend Sukie and my 3 month old baby all went to Vintage at Southbank.  An homage to all things nostalgic curated by the Hemingways of Red or Dead infamy, to celebrate 60 years since the 1951 with a party/shopathon/fete/festival celebration of Twentieth Century modes in music, art, design and fashion.  Transgenerational, we moved from Abigail’s Party installation, to retro Art School printing class.  But it was the shopping, oh my friends the shopping, where my girls of all ages swooped on pieces of beauty, while my baby snoozed on magnificently.  You see he was already wearing the best in vintage: for I had prized onto him that morning a wondrous 1950s playsuit, baby shower gift from the lovely Mica, offset with a red and black check pair of M&S Vans.  I am sure if he could speak he would say ‘Mummy vintage rocks’.  Somehow too vintage has become a noun and for that I applaud last weekend, as a celebration of the best in past memories reshaped into something tantalising and hopeful.

The next day we went to Kew Gardens: both for Jeremy and Dukey their Palm House debuts.  For a still-standing glass palace and a relic of Victorian splendour in a cozy corner of South West London, I can recommend no greater way to spend a sun-kissed day.